Social networking. It works bitches. Especially when you’re friends with people who really know their stuff. Case in point, Rob Moreland, a Lindy DJ from North Carolina, posted one of my favorite Billie Holiday songs, "No Regrets" on his Facebook profile. Rob said he heard it from Michael Gamble, a fellow southern DJ. I first heard it played by Mike Marcotte here at a dance in DC.
I just think it's a lovely, bittersweet tune which if you know anything about her life, seems to be Billie's emotional default.
Rayned Wiles then inspired a few other fellow DJ's to post their favorite Billie songs by offering this lovely gem, "Stars Fell on Alabama."
I don't think Billie Holiday really got that much play when I started dancing. I'm not sure why that's so because there is quite a bit out there that can be played at a dance. It's easy to overlook the earliest parts of her career especially compared to the quality and volume of everything that followed. even the author of linear notes in the first CD I ever picked up of her debut work was not shy in his derision of this period. But as you can hear, there's a reason why she got noticed.
After Rayned posted his response, I took this as a challenge to post my favorite Billie song. It reminded of the times I used to DJ with Rayned, Mike, and others at the old K2 Dance Studios. We would rotate in and out, sometimes alternating sets that lasted between an hour and sometimes as little as two songs.
Rayned would keep us on our toes by issuing little mini-challenges like only playing songs by musicians who played in the Savoy Ballroom, or something like that. Rather than being just another shmoe pressing play, it really challenged me to get to know my music on a lot of different levels.
This is my current favorite Holiday tune, her version of "I Can't Give You Anything But Love." I haven't heard a version of this song that I don't like, and I'm pretty sure it was over played by the time she recorded this one. But I love the way Billie rips into your soul with the opening lyric; grabbing you by the collar and demanding your full attention with that voice and that signature phrasing that swings so hard it makes you dizzy just from sitting there and listening.
Luke Albao then chimed into the thread with this duet with Louis Armstrong of "Do You Know What It Means, To Miss New Orleans" from the aptly named 1947 movie, New Orleans.
The previously mentioned Mike Marcotte submitted this steamy number, "I Love My Man Blues." Mike is one of those few dedicated DJ's that can play a killer set of either Swing songs or Blues. Here he reminds us that Billie could too all by herself
Rayned then posted "Gettin' Some Fun Out of Life." I play a lovely version by the now defunct New Orleans Jazz Vipers, but this is a good reminder of where they got their inspiration.
Rob Moreland then posted three in a row along with musician line ups for each song. I'm a little envious since the box set that I have doesn't have that information. Those early sessions anchored by Teddy Wilson were veritable all star line ups of players who were are now considered jazz legends. Rob's post actually inspired me to hunt down, and buy a Teddy Wilson box set on the spot.
The first is "He Ain't Got Rhythm" with Buck Clayton, t / Benny Goodman, cl / Lester Young, ts / Teddy Wilson, p / Freddy Green, g / Walter Page, sb / Joe Jones, d / Billie Holiday, v. New York, January 2...5, 1937
The title is ironic in relation to the personal as knowledgeable observers jazz nerds will note that the rhythm section is 3/4's of Count Basie's All American Rhythm Section. The man himself is absent, but if anyone could fill his shoes, it was session leader Teddy Wilson.
"With Thee I Swing" with Irving Randolph, t / Vido Musso, cl / Ben Webster, ts / Teddy Wilson, p / Allan Reuss, g / Milton Hinton, sb / Gene Krupa, d / Billie Holiday, v. New York, October 21, 1936.
Finally, "Yankee Doodle Never Went To Town" with Roy Eldridge, t / Benny Morton, tb / Chu Berry, ts / Teddy Wilson, p / Dave Barbour, g / John Kirby, sb / Cozy Cole, d / Billie Holiday, v. New York, October 25, 1935.
Listen carefully to the lyrics of this irreverent send up of an old tune.
I then added a few that I got from other former DC DJ's for The Jam Cellar's Yehoodi Radio Show spot a couple of years ago. "Spreadin' Rhytm Around" is from Lee Tucker.
Fittingly, Rob Moreland finished up this tour with an interesting post of back to back recordings of "Comes Love."
So now you have a few tunes fit for Blues, Balboa, and/or Lindy Hop. Go forth and spread the Gospel of Billie.