I know quite a few people heading down to New Orleans for the Ultimate Lindy Hop Showdown this weekend. For those of us who can't go, Slick Rik posted news on his blog that NOLA.com will be streaming live video of the Saturday night dance and contests on their website. If we're lucky, they'll also have it available for viewing afterwards too. Don't worry, I'll keep an eye out for you. For those of you wondering when the next installment of "Artistry in Rhythm" is going up, you may have to wait a little longer. As you may know, I wrote it two years ago, and up until this point I've been posting it with minor edits. A little over half of it has been posted, but now I've hit a point that needs to be updated and re-written. I'm going to try to get it up by Friday, but if not, I'll work on it during the long weekend while everyone else I know is partying it up at ULHS.
ULHS is Dead! Long Live ULHS!
The Ultimate Lindy Hop Showdown has been the standard bearer and trend setter for the Lindy Hop community ever since it started in 2002. This weekend’s 8th annual ULHS marks the event’s debut in New Orleans, LA as well as its first major format restructuring since 2003. This year, ULHS is breaking away from the phrase jam for the finals that it helped to pioneer. Instead, event promoter Amy Johnson is instituting tournament style, head to head battles for the formerly known "Liberation" division to determine which two couples will dance against each other in the final . . . wait for it . . . Showdown.
I won’t be down there this weekend, but it sounds like it’ll be the start of an exciting new era for ULHS. I’m pretty excited to hear and see how it turns out. Until then, let’s take a look back at ghosts of Liberation divisions past.
AIR pt 12: The Movement Meets The Music
The most obvious was the re-emergence of faster classic swing era and hot jazz music at dance events. People were now encouraged to work on their improvisation skills at faster tempos like they previously did to slower, groovier music.
This led people to mine and more vintage film clips for more ideas to move to this music instead of trying to force hip hop or other modern movements into the music. Since most of the Lindy Hop clips had already been found, the search expanded into tap and other jazz inspired black dancers of the past from the Nicholas Brothers to Josephine Baker.
BMJB & TCO in DC
I like dancing. I like it even more with great live music. This was a fun weekend for that here in DC. Actually, more like Glen Echo Park in Maryland. The Boilermaker Jazz Band played the Bumper Car Pavilion on Friday night while The Tom Cunningham Orchestra held its monthly dance in the Spanish Ballroom on Saturday evening. It was a beautiful Friday night for the Boilermakers. Donna Barker and Mike Marcotte hosted Paul Cosentino on clarinet and saxophone, Rich Strong on drums, Mark Kotishion on piano, and Ernest McCarty on bass with Jenny Luvv singing.
Frankie Manning Soul Session at Lindyfest 2009
This is a pretty nice set of clips from one of Frankie Manning's last public appearances. It's the Soul Session at Lindyfest which was held last March in Houston, TX, and hosted by the Houston Swing Dance Society. He would pass away a little over a month later. Here, Frankie shares a few tid bits and jokes about some of his favorite dance clips.
AIR pt. 11: Back to School
One was the development of the phrase battle by Janice Wilson for the Hellzapoppin’ competitions at the Harlem Jazz Dance Festival in May of 2002. A phrase battle consists of couples taking a certain number of “8’s” (Two bars, eight beats total) to shine jam style, alternating with other couples.
Until Janice came up with this idea, most social dance contests, usually called “Strictly Lindy” contests[1], consisted of couples taking turns dancing to separate songs. This allowed for a clear boundary to be established between all the contestants, and also has the logistical value of allowing judges time to evaluate each performance.
Random Videos: Lindy on The Rocks 2009
I'm actually working on some more related ILHC posts, but my job seems to be getting in the way. In the mean time I'll go back to an event that happened about a month ago. Lindy on the Rocks is held in Denver, Colorado. I've already posted a video of this performance, but they just put up some super high quality HD videos up and this one blew me away as much as it did the first time I saw it. Amazing what a well placed color adjustment will do for your viewing pleasure.
AIR pt. 10: The Tightey Whitey’s Lindy Hoppers Strike
Naomi Uyama likes to use the phrase “Traveling was the internet” when talking about the ol’ days of Lindy at the turn of the millennium. I think that it could be reasonably be argued that the Lindy Hop community evolved at the rate it that it has in the past 10 years because the available technology greatly facilitated the communication of ideas, and more importantly, helped to foster friendships over great distances; linking small, isolated scenes into a global community. But unlike a lot of online social networks these days, the whole point of ours is to meet in person and dance. There's no replacement for seeing and experiencing dance in person.
Remembering September 11th.
I wrote the following on September 12, 2001. Going through Facebook today reminded me of it. At the time I thought it was important to jot down everything I remembered. I was working as the coordinator for scheduling and event planning atThe Catholic University of America in Washington, DC at the time, so it references people, places, and events on campus on that day.
For some reason I stopped my account at mid-day and never got back to it. In fact, according to the file properties, the last time I touched it was at 10:33 PM on Sept. 12. The writing isn't very good because it's a rough first draft. I'm posting it un-edited to preserve what I felt at the time.
AIR pt. 9: NADC Fallout
2001 was a pivotal year. Sensing the various trends I have outlined, many instructors and dancers were beginning to make serious efforts to actively influence the overall dance style of the community.
Ryan Francois and Jenny Thomas returned to active teaching after their long hiatus from the community for their run on the Broadway musical “Swing!” In the aftermath of the 1999 WLHC debate Ryan talked of forming a “united front” to address the issues that came up in that original debate[1]. Nothing formal ever happened after that, but he was clearly dismayed at the state of dancing when he returned in 2001 and was not shy about making his thoughts known.[2]