I'm not the only verbose Lindy blogger: A view from down under about what makes a good jam. <dogpossum> Camp Hollywood redux: Another review of Camp Hollywood from someone who was there < The Rantings of a Lindy Hopper>
AIR Pt. 6: Groove Is In the Heart
The combination of those trends mentioned in the previous posts contributed to the development of certain dance habits in Lindy Hoppers that were collectively called “Modern Savoy Lindy” or “Groove Lindy.” By some accounts, dancing like this already existed in some scenes such as Chicago and San Francisco. Some of this can be also be attributed to the influence of was being seen of WCS performers at crossover events. However, the buzz from the Minnies’ Moochers performance provided the spark for its nationwide popularity.[1]
Frankie95 Video Addendum
Thought I'd pass along a few new clips from Frankie Manning's 95th Birthday Festival. First up is a couple of awesome looking previews of the DVD from the company that is producing it.
Hellzapoppin' in 30 Seconds
Full Preview
Via Yehoodi.com: New clips of the Hellzapoppin' Finals from waaayyy up on high. Great view of the action.
First song
Second song
Joint Service Jazz, August 16, 2009
This past Sunday evening, I met some friends to hear free concert at The Carter Barron Amitheatre. Opened in 1950 and named after one of its primary sponsors, the ampitheatre has hosted a variety of musical and theatrical events over the years including Nat King Cole, Benny Goodman, Ethel Merman, Henry Mancini, Harry Belafonte, Andy Williams, Louis Armstrong, Ella Fitzgerald, Peter, Paul, and Mary, Stevie Wonder, Ray Charles, B.B. King, the O'Jays, Smokey Robinson, and the Four Tops.
Sunday evening it featured a program called “Joint Service Jazz” with performances by the big bands of the US Navy, Army, and Air Force.
Not Really Random Link-My YouTube Channel
In case you hadn't noticed already, I have a YouTube channel where I plan on uploading videos related to my "Artistry In Rhythm" posts and other curiosities I hope people will find interesting. Check it out here.
For a small taste, check out this video and see if you can recognize anyone.
AIR Pt. 5: Music makes the people come together . . .
As noted previously, the choice of the song “Love Me or Leave Me” by the Moochers was a drastic departure from the kind of music that was typically used for routines and social dancing at the time. In the three years after the Minnie’s Moochers’ routine, the community (with some exceptions) embraced slower, post WWII swinging jazz. Posting on a thread on SwingTalk.com noted Lindy Hop DJ Jessie Miner, described it in this manner:
Random Links: Camp Hollywood Edition
Video clips from Camp Hollywood have been pretty slow in getting out, but there are a couple good ones out there. Here's an awesome routine by Sarah Breck & Andrew Hsi from the Showcase division.
And footage from the 2nd Annual Underground Jitterbug Championship.
What's that? I said the same thing. Fortunately I found a first hand account of it.
I found this pretty interesting:
The crowd’s appreciation of what they were witnessing was reflected in the amount of money that was being put into the hat. In the beginning, it was only money that the contestants put in, but throughout the competition, the crowd was throwing money into the hat.
You can find a few more clips and results over at Lindy Groove Technique Class Notes.
Doug Van Sant has his own recap plus some amazing shots of the city itself in his latest update over at Urban Marinade.
A Different Kind of Lead and Follow II: Electric Boogaloo
I wanted to expand on a thought in my last post where I previously pointed out the confrontational (in a friendly way) aspect of Sharon Davis and Max Pitruzzella’s dance off in the 2006 Ultimate Lindy Hop Showdown Solo Charleston Contest.
Admittedly I haven’t watched the video very closely since I first saw it a few years ago. Seeing it again recently in the context of writing my last post made quite a few things jump out at me regarding the back and forth between the two dancers.
A Different Kind of Lead and Follow
I was looking at some of the footage of the preliminary rounds for Solo dance portion of “The Battle” when I spotted something unusual. Check out this clip, starting around 0:32 and the 16 seconds after that. Don’t read any further until you have. I’d like you to have your own reaction before you read mine.
In case you missed it I’m referring to Bobby Bonsey (white shirt, red tie) and his move on Jana Grulichova (red shirt and black vest). If you did miss it then go back and watch it again. I’ll still be here when you're done.
I don’t know about anyone else out there, but I’m going to say up that I think that Bobby’s move on Jana was inappropriate.
I’m not sure what they’re relationship to each other is (dance partners, friends, whatever) But even if they know each other, or if it’s pre-planned, I still don’t think it’s something that should happen in a dance competition.
Aside from being kinda creepy, there’s still the matter of the use of direct contact and partnered lead and follow in a solo contest.
It’s one thing to play off of one another through visual cues or mini-challenges (E.g. I do a move, then you do it better), but by consenting to following something physically led on you, you’re basically submitting to another dancer. That's exactly the opposite impression you want to make in a competition.
Check out the 2008 Camp Jitterbug Solo Charleston contest towards the end of the dance off (which starts at 3:50) between Sharon Davis and Carl Nelson.
At 6:01 Sharon links with Carl’s arm and basically takes over. It’s a close contest up until then, but for me, that’s a make or break point that helps Sharon win 1st place.
Interestingly enough Sharon is a good one to watch for a lesson on when not to get involved head to head. Check out the semi-final and final rounds of the 2006 Ultimate Lindy Hop Showdown Solo Charleston contest.
The all skate starts at about 6:56. Watch the dynamic between Sharon and Max Pitruzella, the dancer with his injured arm tucked beneath his shirt.
Max spends a lot of time getting into Sharon’s space, trying to bait her into going one-on-one, but Sharon deftly avoids him. She engages him only when she has to during the beginning of the dance off when there are only two of them, but is able to slip away towards the end. You can call it fear, but in this case I think it’s smart because going directly head-to-head with Max would play to his strength as a more aggressive dancer.
In modern day b-boy and b-girl battles, there’s an informal rule that dancers should avoid making contact with each other. This probably stems from the fact that these things tend to get uber-competitive. Contact can easily be interpreted as aggressive and quickly escalate into something that could get out of hand.
We’re a much smaller community so that’s less likely, but I still think it’s a good thing to discourage because of everyone’s primary background with partner dance. It becomes too easy to fall back on that dynamic. A solo dance competition isn’t how well you work with a partner, it’s about how you stand on your own.
However you don’t want to completely ignore everyone else either. Watch Chance Bushman, (5th dancer, wearing jeans & a short sleeve shirt) in the ULHS 2005 Solo Charleston semi-final (ignore the title on the video).
He doesn’t pay very much attention to the dancers before or after him. Between that and looking down through most of his shines, he's a black hole sucking all the energy out of the contest, threatening to collapse the universe around him.
In this same competition keep an eye out for Frida Segerdahl (the second dancer) throughout the comp as she follows the first dancer, Angela Andrews . In each of her spotlights, she takes a move that Angela before, and cranks it up to 11.
Some great things can happen just by paying attention to what's going on around you.
At least in my opinion. Anyone else have an opinion about how appropriate or inappropriate different kinds of contact are in a solo contest?
And just to show that I'm not picking on Bobby, here's a fun example of him making contact with dancers in a good way.
(Special thanks to Ann Mony whose video suggestions for this post were much better than my original picks even if I used them for completely different reasons)
The Battle 2009 Solo Contest
The thing I noticed the most is that these finalists rarely fall back on the Charleston basic. Instead they make use of a wide variety of jazz steps which they employ with varying degrees of emphasis.
I’ve always found it difficult to watch contests with multiple people dancing at once. I recently discovered that when a solo dancer starts into basic Charleston, my attention wanders elsewhere. This occurs even when I’m watching a contest on video multiple times, trying to concentrate on one dancer.














